Tennyson, Browning, Arnold and Carlyle Thomas Carlyle writes in Characteristics that, "The healthy know not of their health, but only the sick" Carlyle thoroughly goes over the question, What is the state of England? He finds that England is in a state of transition, and while the old is no longer useful to the society, the new has not yet been clearly defined.
Give a Rouse," and "III.
Browning changed the title to "My Last Duchess" in when it was included in Dramatic Romances and Lyrics, a volume for which Browning received the advice of his publisher, Edward Moxon.
The other poems in the original volume are as follows: If you are collaborating with others to produce a group response, please provide your initial, individual responses with your final, group response.
All submissions should indicate the names of all writers and be formatted according to MLA style. The poem is of the type called a dramatic monologue because it consists entirely of the words of a single speaker persona who reveals in his speech his own nature and the dramatic situation in which he finds himself.
The dramatic monologue reveals its own place and time as it proceeds to uncover the psychology of the speaker at a significant moment in his or her life. The form of the poem is iambic pentameter couplets. How does Browning give this highly regular form conversational and informal qualities?
The speaker is the arrogant, art-collecting Duke of Ferrara. We might even call him the protagonist, for, although we may not agree with him, we are virtually compelled to identify with him since he speaks directly to us, with a mediating narrator.
How does Browning force us to place our sympathies with so objectionable a persona?
The place is the grand staircase in the ducal palace at Ferrara, in northern Italy. How does Browning have the Duke himself subtly reveal this location and the general circumstances under which he addresses the envoy?
The Duke eliminated divorced? Which trivial incidents in particular seem to have produced this response in the Duke? In all likelihood, the Duke will not succeed in his suit because the envoy will warn his master about the dangerous possessiveness of the prospective son-in-law.
Agree or disagree, citing evidence from the poem. The Duke reveals himself to be an emotionally cold, calculating, materialistic, haughty, aristocratic connoisseur; on the positive side, he is a patron of such artists as Fra Pandolf and Claus of Innsbruck both fictional.
What does he value in art? What does he see as his role in the creation of great art? The statue of Neptune "a rarity" taming a seahorse may be regarded as a symbol of brutal male domination of the beautiful and natural.
How might we regard this statue as representing the Duke? The envoy, apparently alarmed by what he has heard, tries to break away from the Duke, but is restrained by him. What, if anything, does Browning reveal about the envoy?
The Duke regards artists as names to conjure with, but also as social inferiors, lackeys who do his bidding and by their works attest to his refined tastes. Ironically, for the Duke the portrait of the duchess is better than the living duchess herself because he can control who sees and enjoys the portrait; the living duchess was beyond his control.
Browning allows the reader to assess the Duke for himself. The reader sees that such powerful Renaissance rulers were ruthless and rapacious parvenus.
He also sees how jealousy and possessiveness can destroy those very things we love the most. Despite his depravity, what is pathetic about the Duke?
At about the same timeAlfred Lord Tennyson was publishing his first dramatic monologue, "Ulysses. How do they differ, especially in terms of the "understood auditor"?Read Dover Beach essays and research papers.
View and download complete sample Dover Beach essays, instructions, works cited pages, and more. Essay Instructions: Soliloquy of the Spanish Cloister 2. My last Duchess . Essay writing help. Hire a writer Get paper rewritten Editing service. Lovely extras.
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The other poems in the original () volume are as follows: "Incident of the French Camp," "Soliloquy of the Spanish Cloister," "In a Gondola," "Artemis Prologizes," "Waring," "Rudel to the Lady of Tripoli," "Cristina," "Johannes Agricola in Meditation," "Porphyria's Lover," "Through the Metidja to Abd-el-Kadr," and "The Pied Piper of .